There are works that do not require an explanation; they provoke a reaction. TESKOBA (Anxiety) is exactly that kind of project. It was not created with the intention of being clear, nor to please at first glance. Its value is reflected in the fact that it does not leave one indifferent.
It was realized in November 2022 in Belgrade. The form in which it appeared was not standard. It was neither a fashion show nor a classic presentation. The closest definition is the one used by Igor Ivanović: Fashion Art Work, a space between fashion and art, with no need for precise definition.

The name as a state
Teskoba is not an aesthetic choice, but a precise description. It represents a feeling of inner tension without a clear cause, but of strong intensity.
Something that is difficult to define, but easy to recognize.
Format without rules
Instead of a runway, a space. Instead of a display, an atmosphere. Instead of distance, an immediate experience.
TESKOBA functions as an environment one enters, rather than an event observed from afar. Clothing is not at the forefront as a product, but as a means of expression.
There is also a video recording, brief and concentrated, released at the end of November of the same year. It was not created as an announcement or promotion, but as a document of a fleeting moment.
Clothing as a carrier of an idea
In this context, a piece of clothing does not exist for the sake of form, but for the sake of meaning. Its function is not aesthetic appeal, but the transmission of an inner state.
Teskoba, as a feeling, has no clear shape. Yet, through material, cut, and the body, it gains its physical manifestation.
In that moment, fashion ceases to be decoration and becomes a language.

Minimalist structure
The realization was minimalist but precise, without superfluous elements and without deviation from the core idea.
Igor Ivanović was responsible for the concept, design, and execution.
Jovan Stevanović for video and photography.
Darko Tešić for makeup.
Veljko Belić for production.
Everything was aimed at preserving the integrity of the project.
Point of transition
TESKOBA represents the moment in which 2i transitions from the sphere of idea into reality.
Until then, it existed as a direction and reflection. From that moment on, it becomes a concrete expression, present in space and before an audience.
It is a clear boundary between potential and realization.
Continuity
Everything that comes after TESKOBA can be seen as a continuation of that initial impulse—not necessarily in a visual sense, but in a conceptual one.
TESKOBA is not a closed project. It is the starting point of a broader artistic narrative.
